Plato argued that art is a copy of a copy. For The Art of Giving, the Filotimo Group Exhibition at ANU in Canberra, we brought him back to Athens to argue the point with Aristippus. Concept by curator Yanni Pounartzis, script written together, then I produced and edited with AI including the music score.

A young woman tries to escape the voice that broke her heart, only to learn the only way out is within earshot. A serious five-act drama carried entirely by AI performance — which meant locking every character's face, wardrobe and voice treatment scene to scene, the same continuity discipline a live set demands.

Every topic is keyword‑researched (VidIQ) before a single frame gets made — the channel runs on a content calendar built from real search demand, not whatever's trending this week. The format sits on top of that research: curiosity questions an eleven‑year‑old would ask and never get a straight answer to, each one built to a formula (wrong assumption, surprising reality, the science, one more twist).

Me, in a fur coat, dropped into places a fur coat has no business being. The gag only works if the character holds — same face, same coat, same deadpan — across a locked Higgsfield character profile, with each sequence arcing from unsettling competence to small kindness to effortless cool, never one flat joke.

The part of this page that isn't video. Blueprint assesses a company or brand and hands back real marketing and advertising recommendations — the strategic groundwork I'd normally bill a discovery phase for, now instrumented so every client engagement starts from a position, not a blank page.